Review: LOOPER

No spoilers…

Via

These days it’s nigh-on impossible to go to the cinema without at least some awareness of what it is you’re about to sit down and experience. When it came to LOOPER, I did my utmost to achieve that.

It wasn’t easy.

After reading the first synopsis and then seeing the first trailer, I decided: no more. And OPERATION: AVOID ALL INFORMATION ABOUT LOOPER was in full effect.

So if, like me, you’re out to keep as much detail about this film out of and away from your film-going psyche before going to see it*, then this simplistic review is just for you.

Ready? Here we go –

What LOOPER is:

– A brilliant vision of the future
– A masterclass in character study and story-telling
– A modern classic that’ll be studied and revered for years to come

What LOOPER isn’t:

– The film you’re expecting
– An easy watch
– Predictable

———

To say anymore would be to ruin it beyond all recognition. Even if I told you what films it echoed, for me at least, I think that would take something away from it too.

Book your tickets.

See this film.

 

Big love to Stella Artois and Little White Lies for organising last night’s preview

*WHAT THE HELL ARE YOU DOING HERE?

 

Five things on Friday #37

Things of note for the week ending September 14th, 2012

1. Removie Posters

Removie Posters are basically movie posters re-imagined with one letter from the original title removed. The above is a quite striking Jurassic Ark (see what they did there), but I think The Men That Stare at Oats is my favourite…

2. How To See The Future
The first of two keynote transcripts this week. This one – ‘How To See The Future‘ is from Warren Ellis and is probably one of the best things I’ve read this year, if not – ever.

3. Fight, Fight, Fight
Amando Ianucci is next with this, quite frankly, excellent speech from the annual BAFTA television lecture. Entitled ‘Fight, Fight, Fight‘, it is a wonderful celebration of that is great about UK TV creativity; littered with history and filled with inspiration. Read it.

4. Transformers On Your Street
This kind of activity has been done before*, but I really like the execution: to celebrate the launch of the new Transformers video game ‘Fall of Cybertron’ you can actually have Transformers on your street. Great use of the Google Maps / Streetview API.

Go and give it a go

*See Arcade Fire and British Airways

5. Solitary Peace

This gorgeous set of photos remind me of my travels with Lucozade several years ago. The multitude of locations, the sparse surroundings – Gustav Willeit has struck a deep nerve in me: I miss the air up high.

‘Til next time…

 

Saw TED

And these two things stole the film entirely –

20120911-234322.jpg

That aside, it was surprisingly amusing. Mark Wahlberg has great comedy timing and Mila Kunis is great in just about anything. Yes it’s puerile, but who cares? Sometimes you need a bit of switch-your-brain off humour…

Verdict: worth seeing,

Bonus points: we saw it at the Everyman Cinema, Maida Vale, which was WITHOUT DOUBT the best cinema experience I’ve had this year. Amazing venue, fantastic decor and absolutely lovely staff.

20120911-235815.jpg

This is how cinemas should be done.

That is all.

 

Harry Brown

…is a great film. Seriously.

If you’ve not seen it yet, seek it out. It’s a bit dark, in an Ill Manors kind of way but definitely worth it.

When you watch it though, realise that it could also be interpreted as a companion piece to the Dark Knight trilogy – aka – ‘Where would Alfred end up if he was never hired by the Wayne family?’

True story.

 

New. Bond. Trailer.

Bond. James Bond.

I’ve already waxed lyrical about why Skyfall looks set to be bloody fantastic and now Bats is over, it’s all about Bond.

The latest trailer just dropped and, well, watch it for yourself –

Warning: trailer contains plot points you may not want to know

Alright, it gives a bit of the plot away…
…but holy hell, at last we might have a proper villain.

Immense.

Via

 

Review: Dark Knight Rises

No spoilers…

Dark Knight Rises Mondo Wallpaper

It’s here.

It’s finally effing here.

And it is EPIC.

There have been nay-sayers, there have been fanboyscough – but throughout there has always been Nolan. Enduring Nolan. Amazing Nolan. Nolan and his unflinching commitment to delivering the best telling of the Batman story he could could possibly tell.

I am here to tell you that he delivers against that commitment.

Deftly wrapping up all the threads that were laid in Begins and TDK, Rises is a film of EPIC proportions. It’s Nolan and Bale, obviously, but there’s newcomers like Tom Hardy, Marion Cotilliard and Joseph Gordon-Levitt too, each splashing the film with their own shades of Inception…  but ultimately, this is Bane’s film.



Tom Hardy is excellent in DKR; knowing, knowledgable, physical – he owns the screen whenever he appears. Another great addition to the cast, somewhat surprisingly, is Anne Hathaway. I don’t know why, but I had my doubts about her role as Selina Kyle’s cat burglar from the moment her casting was first announced but, honestly? She’s ace. Returning to Hardy briefly before moving on, I’m happy to report that the issues with his voice (that were first reported after the 7min preview back in December), have been fixed and the character of Bane oozes through Hardy with animalistic strength and menacing determination.

Remember, for the Dark Knight to rise, first he must fall. And fall he does – in spectacular fashion. In Bane, Batman truly has met his match.

This isn’t the Batman that you’ve got to know through the previous two films, mind. First in story: time has passed [eight years in fact] and a lot has happened. Before Bale dons the cowl in this final chapter, we’re made all too aware of the damage that leading the kind of life Bruce Wayne leads can have. Second, in tone: the 160+ mins are of a completely different breed than what’s come before. Nolan has grown both as a director and storyteller and we, the audience, get a much more mature and visceral cinema experience because of it.

But let’s be clear, Dark Knight Rises is a film of endings. Not in a LOTR: Return of the King ‘lets-end-the-film-five-times-over-the-course-of-an-hour’ kind of way, but in a closing of chapters, tying up of loose ends and the release of deep, set tension and pain way. Whatever Warner Bros do with the Batman licence next, it won’t be a part of this universe, that’s for certain.

There are niggles, few, but most can be plastered over by the sheer courage of the director’s vision to create such an epic conclusion to this trilogy.

When the credits rolled, I cheered and applauded as the final pay off comes together, perfectlty.

See it.

Immediately.

You’re gonna love it…

 

 

Review: The Amazing Spider-Man

Or how 21 Jump Street ruined everything…

I first blogged about The Amazing Spider-Man (TASM) back in May and while I wasn’t overly stoked about it, it still looked set to be a fairly good stab at rebooting the franchise.

Yes, we all know it’s only been five years since we last saw Spidey grace the big screen (the poorly-received Spider-Man 3 not  giving Toby McGuire the best of send-offs)

Sony decided to waive Spider-Man 4 and move straight into a retelling of the radioactive arachnid  him goodbye in the poorly-received Spider-Man 3) and while we may not be ready… Nope, start over…

And whilst I still maintain Spidey 2 was the best of that trilogy (and arguably one of the best superhero movies ever made), Spider-Man 4 never appeared and instead, well… instead we get this

 YAWN YAWN YAWN YAWN YAWN YAWN

Let’s cut to the chase:

The Amazing Spider-Man (TASM) doesn’t tell us anything new and, while it does present us with a fresh (and quite capable) Peter Parker, the film is poorly directed, the villain poorly executed, and overall – the cast struggle with a mis-firing plot that doesn’t really ever deliver; especially when *previously seen* parts of the film [ie: in trailers, teasers etc] have actually been removed from the final cut.

And here’s the kicker: the more I think about it the more I realise the one over-riding thing that killed TASM for me.

Ready?

21 Jump Street

With me? No? OK, I’ll try it a different way.

21 Jump Street RUINED The Amazing Spider-Man

…and I’ll tell you how

24hrs before I went to see TASM, I sat down with the girl and decided to give the Channing Tatum/Jonah Hill cops-as-students, TV-to-film re-make, comedy vehicle a go.

AND IT WAS GREAT.

Brilliant in fact. So surprisingly funny/hilarious that the GF and I were both actually quite stunned at how bloody good it was.

Bear with me, this is actually going somewhere…

Here’s the rub [minor spoilers ahead], the plot of 21 Jump Street centres around a couple of cops being sent back to school to uncover a suspected drugs ring. However, one of the key parts of said tale is that our heroes actually used to be at school together. one of them (Tatum) was the atypical high school jock and popular kid and the other (Hill) was johnny-no-mates geek who hung around with nerds and basically failed in all things female related.

So far, so what… well, that first part – of the two being at High School together – is set in 2007. Five years later, they’ve become cops, made friends [with each other] and are assigned this undercover gig. Except, something has happened.

GLEE has happened.

Thanks to the super-popular American musical/comedy/drama (dramusedy?) American TV series, roles have been reversed:

Geek is cool.

It’s a great plot point in 21 Jump Street and yet it creates a HUGE plot hole in The Amazing Spider-Man. Geeks are cool. Ergo, Peter Parker is cool. Especially if your Peter Parker looks just like the hugely not unattractive Andrew Garfield. It just doesn’t add up. Gwen Stacy (Emma Stone) fancies him, and rightly so – but you kinda think that she would whether he got bit by a radioactive spider or not.

That aside, the two do have a sparky relationship and there’s obviously a decent chemistry. However, that’s about all I can find that’s good about TASM I’m afraid.

The film’s villain, the woefully mis-cast Rhys Ifans as Dr Curt Connors – aka The Lizard – is clumsily realised and comes across as a bad amalgamation of previous Spider-Man bad guys, Green Goblin and Dr Octopus (whilst never actually managing to get near either when it comes to actual menace).

Also, while we’re on the subject: WHAT’S WRONG WITH THESE PICTURES?

Yes. One is of a mutated lizard man and one is a of man in a lizard suit.

Guess which one they use in the film?

Moving on, here are some other things that didn’t amaze me (whited out as they contain Spidey-spoilers)

  • Parker steals the webbing and then creates the shooters – SURELY someone at Oscorp would notice that this is missing (or at least, NOTICE IT in the streets) and basic police skills would track him down?
  • The whole thing with the cranes at the end? SERIOUSLY? I laughed out loud at this point
  • The Lizard releases some gas that turns the police into Lizards too, BUT WE NEVER SEE THEM
  • Mask on, mask off, mask on, mask off, mask on, mask off…
  • That bit, when the Lizard is chasing Spidey in school, and he *just happens* to discover the exact two chemicals required to create a make-shift bomb? Y’know, because stuff like that is just left laying around…  WHAT THE EFF?
  • I’m glad Dennis Leary’s character died, he wasn’t great – where’s JJJ?! 

In closing:

Whilst The Amazing Spider-Man isn’t that amazing, it isn’t actually that bad either. Yes, it’s too soon to reboot the franchise (obviously), but it does manage to lay enough ground for [hopefully] decent sequels. Sam Raimi’s original trilogy never really took itself too seriously and, while Garfield’s Spider-Man brings the wit, the rest of the film could do well to learn from his comedy timing.

In a year that sees quite possibly the two largest chapters in comic book film history come to a head (see Avengers and Dark Knight Rises), The Amazing Spider-Man really does struggle to stand tall amongst the crowd.

Here’s hoping future installments deliver on the early promise [that at least some of] the cast have shown.

Whatley out

Is it a bird? Is it a plane?

No, it’s the new poster for Man of Steel!

New Man of Steel Poster

Via

The jury is still well and truly out for me on this one. No John Williams score, no reference to the originals (per the underrated Superman Returns); they’re starting from scratch and there’s only one of two ways this can go –

Up up and away, or death by Kryptonite.

Only time will tell.

 

 

Five things on Friday #28

Things of note for the week ending July 13th, 2012

1. Dior’s Autumn / Winter Show

Using one million flowers, the set for Christian Dior’s 2012 Couture show is simply breathtaking. Can you imagine the smell?

Wow.

2. Hair Prank of epic proportions
I caught this early last week and laughed my face off*. It starts slow, but the reactions are GOLD.
Enjoy.

Via

*I’m not sure what I find more funny: the reactions of his friends and family, or just the fact that the guy dreamed the idea up in the first place. Brilliant.

3. San Diego Comic-Con
The biggest, geekiest event is taking place right now and superhero/sci-fi/fantasy media news is flowing like no tomorrow. There’s been announcements about Ant-Man, discussions about Iron Man 3, sneak peeks of Man of Steel and a whole bunch of other interesting things to boot.

I read Screenrant to keep me up to date.
You should too.

In the meantime, enjoy this trailer for Wizard of Oz prequel: ‘Oz: the Great and the Powerful

I’m a big James Franco fan, and this – the story of how the Wizard of Oz came to be – just looks ace.

(In case you’re wondering, I’m yet to attend – but I’m sure as hell hoping to one day. Comic Con, that is. Not OZ; that’d be weird).

4. New Brothers Blue
Photographer, Norman Seeff, has released a whole set of previously unseen Blue Brothers photos that are just a delight to see (and read about).

—-

5. The best customer care story you’ll read this week.
I’ve shard this on Twitter already, but it’s so good, I just had to blog it.

I’m not going to write it up. Just click through and read about how the Ritz-Carlton really do go the extra mile

It’s brilliant.

 

Bonuses: Ron Perlman has gone on record to say that he’d never make another Hellboy film because he hates the daily arduous make up process. Still, that didn’t stop him suiting up one last time for the Make a Wish Foundation (I welled up a little bit); Photojojo has the best email response team ever; and this week’s episode of The Voicemail includes a hilarious Finnish-to-English Google Translate error that caused mobile-rumours a plenty (listen from 17mins exactly). Amazing.

 

Whatley out.