Stuff I’ve been reading lately

In lieu of rebooting Five things on Friday (not happening), here’s a round-up of some of the more interesting things I’ve been reading on the web this year –

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1. Magic pickpocketry
Apollo Robbins is the world’s best pickpocket. You’ve never heard of him but, within magic circles and beyond, he is somewhat of a legend. Neuroscientists, the military and anthropologists have all worked with Apollo to try and discover how he creates his particular form of distraction and extraction – this New Yorker piece is a great read.

On an encounter with Penn Jillette (of world-renowned double act ‘Penn & Teller‘) at a recent Las Vegas magician’s convention –

Jillette, who ranks pickpockets, he says, “a few notches below hypnotists on the show-biz totem pole,” was holding court at a table of colleagues, and he asked Robbins for a demonstration, ready to be unimpressed. Robbins demurred, claiming that he felt uncomfortable working in front of other magicians. He pointed out that, since Jillette was wearing only shorts and a sports shirt, he wouldn’t have much to work with.

“Come on,” Jillette said. “Steal something from me.”

Again, Robbins begged off, but he offered to do a trick instead. He instructed Jillette to place a ring that he was wearing on a piece of paper and trace its outline with a pen. By now, a small crowd had gathered. Jillette removed his ring, put it down on the paper, unclipped a pen from his shirt, and leaned forward, preparing to draw. After a moment, he froze and looked up. His face was pale.

“F***. You,” he said, and slumped into a chair.

Robbins held up a thin, cylindrical object: the cartridge from Jillette’s pen.

Amazing. Read the whole thing
(then watch this video from 2:12 onwards)

2. Wi-Fi on the Underground
This year it’s pretty much free to use for Orange, Vodafone, EE and T-Mobile customers. Except, no one seems to have told T-Mobile.

‘Hey left hand, what you up to?’ – ‘Sorry right hand, can’t tell you’. 

3. What three completely unrelated movies can you put together that if the story lines continued would make a good trilogy?
The above is one of the best questions I’ve seen on reddit this week, my favourite response so far?

‘Home Alone / Saw / Cube. It’s the story of a boy who takes booby trapping his house to more and more ridiculous extremes.’

Brilliant.

4. More Blues Brothers
After MEETING JOHN LANDIS at the tail end of last year, I’m even more into my Blues Brothers than ever before. Big love to Terence Eden for shooting this Vanity Fair article – ‘Soul Men: The Making of The Blues Brothers‘ – my way.

With quotes such as –

It is 1979. Rare is the actor who doesn’t snort, pop, or guzzle. Landis, a teetotaler, misses the bigger picture. “We had a budget in the movie for cocaine for night shoots,” Aykroyd says. “Everyone did it, including me. Never to excess, and not ever to where I wanted to buy it or have it. [But] John, he just loved what it did. It sort of brought him alive at night—that superpower feeling where you start to talk and converse and figure you can solve all the world’s problems.”

And –

Three months later, Belushi’s first movie opens. This is Animal House. Belushi, having played Bluto, the gluttonous rascal who rallies Delta House to glory, becomes a Major Movie Star.

This is good. During an out-of-town car trip, Belushi asks Aykroyd to stop the car, saying, “Watch this! Watch this!” Aykroyd recounts that “he gets out of the car and starts knocking on the ground-floor windows of this primary school, knowing he’ll get a reaction. By the time we left, all the windows are up and the whole school is chanting, ‘Bluto! Bluto!’ ”

It really is a fantastic read and worth at least 20mins of your time.

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5. The Basement
‘Somewhere in Portland, there’s a very old building, and that very old building has a very, very old basement. An incredible basement, a video-game-level basement, a set-decorator’s dream basement.’

It’s a short story, in a way. More of an exploration… of history. The clues, the stories, and the secrets. It’s quite the photo journal and, again, well worth your attention.

That’s all I got.

For now.

 

Oh. My. Actual. God. I just met John Landis.

And it was more awesome than you could possibly imagine…

Oh. My. Actual. God. I just met John Landis.

So I arrive at Sadler’s Wells theatre, about to see Matthew Bourne’s Sleeping Beauty, and I spot a grey-bearded man who reminds me of one of my heroes. As I pay for my cab, I catch a hint of an American accent and I think – ‘Actually, that’s got to be him! It is him!

I tell the girl, she doesn’t get it. I’m freaking out (quietly) inside. I don’t get starstruck, but John Landis? Come on!

Once we’re seated I nip out to get a programme and he’s still outside, chatting away. I check my phone, google his face; yup – that’s DEFINITELY HIM.

Everso politely I interrupt and explain I’m a huge fan and that, while i don’t want to disturb his day, I’d love to get a photo because – and I quote – ‘…Blues Brothers is pretty much on repeat in my house’.

‘We were just talking about that!’ he replies, and then goes on to tell me about how they organised the chases, the crashes, the number of cars they used, how they shot certain scenes, what techniques they had to employ, what permission they did (and didn’t get). He was just so warm and giving… I was speechless.

One of my all time top directors, explaining to me the details and background to one of my all time favourite films.

Writing this up on my phone quickly, before the curtain raises, I’m dumbstruck and welling up with tears of happiness.

What an amazing moment and what an amazing guy.

—–

EDIT: I’m home now and still in total and utter glee. Awesome things I learnt from John Landis this afternoon include:

  • The Nazi Car Drop – the only way Cook County would allow them to (actually) drop a car from 1400ft into the middle of the city was if Landis’ production team could provide proof (!!!) that it would hit the target they said it would. That meant driving out to a corn field, dropping three cars from a helicopter, filming the whole thing and then showing the tapes to the officials that look after the city and the air-space, as well as the police! ‘…they ah’d and umm’d about it a little bit, but hey we proved we could do it – so we did it!’ – JL
  • Against commonly-held opinion (and Wikipedia!) Blues Brothers did not hold the record for most cars destroyed in one film. That was an urban myth! Mr Landis told me the film that actually held that accolade was the original 1974 version of Gone in 60 Seconds‘…if car crashes are your thing, you’ll love it.’ – JL
  • The 60 or 70 cars they did have for the shoot were constantly kept in good shape by a 24hr auto-shop they built on the set. – ‘…Oh, we had another 20 cop cars but we weren’t allowed to crash those.’ – JL

And then he started talking about Batman… I actually died.

All of that in a five minute conversation. I could’ve stood and talked with him for hours.

I love you John Landis, you just made my year.

OBLIVION

WALL-E with guns, innit –

I’m actually well up for this.

  1. Tom Cruise does good sci-fi*
  2. As much as ‘WALL-E, with guns’ is a joke on my part, it’s actually quite a good premise
  3. It’s directed by Joseph Kosinski, the last sci-fi flick he pulled together was the (criminally underrated) Tron: Legacy
  4. Sci-fi films that imagine future worldsproperly always get a vote of confidence from me (and for some reason, I get that vibe from this)
  5. I AM A GEEK AND I LIKE THIS STUFF

I mean come on, even the poster is pretty ace –

Well, it’s better looking than Star Trek anyway.

What do you think? Up for Oblivion?

 

 

 

*Not only sci-fi, but also a whole bunch of other genres too. Yes. That’s right. I am a [closet] Tom Cruise fan. I think he’s ace. I couldn’t give a monkey’s about his apparent oddball personal life, he makes great films and should be celebrated as one of the best actors of our time. Go on, I dare you to argue with me.

NEW TRAILER: Star Trek Into Darkness

Watch this –

A few things…

  • BOOM. BOOOM. BOOOOOOM. INCEPTION button ahoy!
  • Ah yes, but if you take Inception-boom and add sci-fi-with-a-bit-of-screaming? That’s PROMETHEUS.
  • Villainy voice-over with destruction of cites and innocents though, that’s new right? OK, so AVENGERS may have got there first too.

I dunno.

Look, I’m fairly sure STID will be fairly awesome; JJ Abrams is a more than competent director (whose last STAR TREK couldn’t have been any better*) but in a world where fans drool over mere FRAMES of their favourite franchise, I think the trailer could’ve been a lot stronger.

And while some of you might already be cowing about the complete lack of originality in Hollywood today full stop, ‘how can anything be classed as ‘original’ these days’? I have two answers for you.

  1. Fair enough, but these films I’m talking about are super recent (and you expect more from Abrams).
  2. Try. Harder.

All of the above aside, there’s still Benedict Cumberbatch – who, to be frank, will be amazing. In closing:

Bring it on…

but please make the next trailer a little more original, yeah? Please?! And show me something new, too. I mean, even the new poster (above) looks like it was borrowed from elsewhere.

—-

*Aside from one teeny tiny issue with evolution, obviously.

Review: The Master

Disappointment-meh

Lovely to look at, arresting to experience, The Master ticks a whole load of dramatic boxes but ultimately leaves you empty and feeling a little bit like you’ve missed something.

As I said to a friend recently [after seeing said film], I feel like I’m the guy at the back of the room asking ‘Hey, is that Emperor actually wearing any clothes?’

Don’t get me wrong, visually The Master excels and if the two leads, Joaquin Phoenix and Philip Seymour Hoffman, aren’t up for best and/or best supporting actor come Oscar time, then there’s clearly something wrong in the world – they’re both at career-best level and push each other brilliantly. It’s just such a damn shame that director, Paul Thomas Anderson (someone whose work I have admired for a long time) forgot to add any kind of story.

Like I said from at the outset, maybe I’m missing something. Maybe those new threads are really quite shiny and beautiful…

Or maybe you should just go see ARGO instead.

Disagree?

Tell me in the comments below –

 

Review: SKYFALL

[no spoilers]

It’s been five months since I first blogged about Bond’s latest outing and back then I said the following:

‘Already this looks like quite possibly the most gorgeous Bond film to date… with the tonality of Craig and the emotive & visual depth of Mendes, the third of this generation’s Bond is set to be the best one yet.’

Having just got home from catching up with Bond at London’s BFI IMAX I am ridiculously happy to report that I was 100% correct with my prediction:

SKYFALL is magnificent.

Historically, I like to keep my film reviews spoiler free. This review is no exception; there’ll be no giveaways here.

So, where do I begin? With Bond, of course.

Daniel Craig is perfect.

On form, settled in and completely existing within James Bond, when people cross him and damage the things that matter to him most, you feel his anger and his vengeful determination. The darkness (that must exist for Bond to be true) is present, but coloured with a dark humour. A flash of a wink, a half-smile – this is the 007 that has been stirring underneath Fleming’s pages since he was first committed to paper back in 1958.

It’s true: Bond has never been better.

For this to work however, our excellent hero needs an equally brilliant villain – and in Javier Bardem’s ‘Silva’, we have just that. Flirtatious, dangerous, enigmatic, and bizarrely sexually charged, Bardem delivers a performance that is reminiscent of Christopher Walken as Max Zorin (in 1985’s View to a Kill).

At first I thought it was the hair, but not so. With Silva there’s that same sense of wild destruction, that flair for the theatrical, that reminds me of Walken so. And yet, whilst Bardem never reaches the sinister heights of his career-defining turn in No Country For Old Men, the character of Silva doesn’t really demand it. He’s cunning, meticulous and driven – and a superb foil for our lead protagonist.

However if this film was ever to be defined as a two-hander, it would not be Bardem who would take the co-starring role next to Craig. No no. That role would go to Dame Judi Dench: giving us (and Bond) the most active and versatile ‘M’ we’ve ever seen – allowing her professional veneer to only just cover the maternal pride and instinct she hides throughout, Dench excels as the head of British intelligence.

In fact, I would go so far to say that SKYFALL is more about Bond’s relationship with M than it has ever been (in more ways than one).

As is standard procedure, the supporting characters are also given their fair share of the limelight. Ben Whishaw as Bond’s new Quartermaster plays it with just the right amount of humour that is fitting for the role (ie: not too much, with a distinct air of competence and respect for what is his domain and what is not). I look forward to where this goes, much.

Ralph Fiennes is surprisingly good as governmental envoy Gareth Mallory, as is Naomie Harris as Bond’s agent support, Eve. However, I think a special mention should go to Rory Kinnear, whose ‘Tanner’ is understated, under-played and every bit as believable as he should be.

Which brings us to Mendes. Sam Mendes. It has to be said:

Bond is beautiful.

Several times throughout I audibly gasped at the images thrown in front of me. From the rooftops of Istanbul through to the casinos of Macau, the splendour of Skyfall really has to be seen on the BIG screen to be appreciated (I mean it, if you can see it at the/an IMAX then do so), a fist fight in front of an electric jellyfish is a stand out.

As I type, I’m listening to the Skyfall OST on Spotify and being reminded of just how awesome and lifting it is. Reflecting backwards, and at the same time springing forward – the score is as every bit a celebration of 50 years of Bond as the film.

Visiting the world of Bond through the eyes (and ears) of Mendes is a gift. I said it before and I’ll say it again: the colours, the composition; all of it is just so visually sumptuous you can’t help but be drawn to this film.

It enraptures and snares, it casts all of what you know aside and starts again all over without fear and without folly.

This is not the Bond you used to know, but in a way – it’s the Bond you’ve always known.

Skyfall is incredible.

When the final credits roll, you’ll wonder how the 50 years of Bond on film have passed so quickly and yet you’re left kind of knowing exactly how the next 50 years are going to roll.

Well done, 007.

 

Very well done indeed.

 

 

Lumia 800 spotted in The Wolverine?

Yeah, I think so –

Wolverine 2, aka ‘The Wolverine‘, is coming / rising soon. Filming is underway right now and slowly but surely set photos are leaking their way onto the internet. So far, we’ve only seen snaps of our eponymous hero but today, we got a peek at the two main villains he’ll be facing up against: Silver Samurai and Viper.

The really interesting thing is that the latter of the two has been spotted sporting what seems to be the Nokia Lumia 800.

Take a look –

That certainly looks like a Cyan(?) Lumia 800 to me. The flash is in the wrong place to be anything else.

But why?

Nokia has previous when it comes to placement in superhero films (trust me, I know), and it works best when it’s actually part and parcel of the film’s storyline as opposed to being fudged in at the last minute. Fortunately it’s looking very much like the former here – which is ace.

However, all I’m left wondering is: why the Lumia 800 and not the Lumia 820, or the 920 for that matter?

If I were a bad-ass super villain, I don’t think I’d settle for WP7.8.

 

#justsayin

Review: LOOPER

No spoilers…

Via

These days it’s nigh-on impossible to go to the cinema without at least some awareness of what it is you’re about to sit down and experience. When it came to LOOPER, I did my utmost to achieve that.

It wasn’t easy.

After reading the first synopsis and then seeing the first trailer, I decided: no more. And OPERATION: AVOID ALL INFORMATION ABOUT LOOPER was in full effect.

So if, like me, you’re out to keep as much detail about this film out of and away from your film-going psyche before going to see it*, then this simplistic review is just for you.

Ready? Here we go –

What LOOPER is:

– A brilliant vision of the future
– A masterclass in character study and story-telling
– A modern classic that’ll be studied and revered for years to come

What LOOPER isn’t:

– The film you’re expecting
– An easy watch
– Predictable

———

To say anymore would be to ruin it beyond all recognition. Even if I told you what films it echoed, for me at least, I think that would take something away from it too.

Book your tickets.

See this film.

 

Big love to Stella Artois and Little White Lies for organising last night’s preview

*WHAT THE HELL ARE YOU DOING HERE?

 

Saw TED

And these two things stole the film entirely –

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That aside, it was surprisingly amusing. Mark Wahlberg has great comedy timing and Mila Kunis is great in just about anything. Yes it’s puerile, but who cares? Sometimes you need a bit of switch-your-brain off humour…

Verdict: worth seeing,

Bonus points: we saw it at the Everyman Cinema, Maida Vale, which was WITHOUT DOUBT the best cinema experience I’ve had this year. Amazing venue, fantastic decor and absolutely lovely staff.

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This is how cinemas should be done.

That is all.