The Lumia 1020 does take GREAT photos

Captain Obvious I know, but still…

One of my favourite 1020 shots to date

I’ve got a full review percolating around my skull for this device (kindly lent to me by the guys at Nokia Connects) but if you’re a regular listener to my podcast, The Voicemail, you probably know where I’m at with it already.

But after spending a couple of days with the device and irrespective of how I feel about Windows Phone, you can’t deny how incredible the camera on the Lumia 1020 really is.

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Taking it with me on my recent Tough Mudder meant we had some fantastic photos to share when we got back. Good work.

If the only thing you’re looking for in a phone is a decent camera, you simply can’t look any further than the Lumia 1020. Full stop.


Kate Bevan’s piece on the Lumia 1020 in The Guardian
is also worth a look.

Team Ogilvy London vs Tough Mudder UK

“We came. We saw. We kicked its ass.”

Tough-Mudder

Saturday, October 5th – my Ogilvy colleagues and I completed the Tough Mudder North West challenge. 12 miles. 25 obstacles. One amazing feat.

Back in May, I started working with Ogilvy & Mather London Advertising on the Expedia UK account. The team were awesome and welcomed me with open arms. However, as an official member, I was told that I would have to join them in their Tough Mudder.

//platform.twitter.com/widgets.js30mins later (after much heckling and also the clincher comment ‘James, it isn’t a race – it’s about TEAM BUILDING’ – I’m such a sucker for that stuff), this happened –

Turns out the best date we could all do it wasn’t in September after all. It was today. And guess what? We nailed it.

WINNERS

— Briony, me, Amelia, Harriet, Stephen and Joey —

There was blood. There was mud. There was euphoria. We climbed 12ft walls, we ran through electric cables, and we plunged ourselves into ice – and that is very much not even the half of it.

So far, we’ve raised just over £800 £1000(!) for Action on Bladder Cancer, the charity of choice of the Expedia UK marketing team, and there’s also (perhaps somewhat delirious) talk of making TM an annual Ogilvy event too – amazing.

If you’d like to sponsor me, or anyone else on my team, then you can do that on our dedicated sponsorship page (please do, even if it’s only a couple of quid it’d be appreciated).

I think I have a longer, more meandering post about how much of a personal achievement I feel this is (given that I only started running back in January), but that can wait for another day.

In the meantime, I’m headed home for a very long bath and while I do that, you’re going to sponsor me, right?

 

UPDATE: Photos now up on Flickr.

Review: RIDDICK

This has been a long time coming… (No spoilers)

Review: RIDDICK

It’s been 13 years since we were first introduced to the murderous anti-hero, Richard P. Riddick and since 2000’s Pitch Black first hit our screens, we’ve had one animated short, in the shape of the oft-overlooked Dark Fury, and the universe expanding [proper] sequel The Chronicles of Riddick.

Pitch Black is just great (seek it out if you’re new to the Riddick franchise). A proper B-movie alien film, with morally questionable characters throughout (including Vin Diesel as aforementioned wanted convict) – it was sci-fi fun, with a solid cast to boot.

For 2004’s criminally underrated Chronicles, writer/director David Twohy courageously attempted to create a whole universes, (along with multiple races and religions, around our lead character and, with a couple of character nods to its predecessor, it arguably succeeded (with the Director’s Cut DVD proving vastly superior to the cinematic release, with more emphasis on the mythology and spirituality of what it means to be Furyan. Again, seek it out). If you’ve come this far, then you’re probably aware of the the events that close Chronicles – our man Richard found himself in a very interesting place indeed.

Which leads us to the third live action film in the series, the succinctly titled ‘RIDDICK’.

Riddick

A film of three acts, RIDDICK opens with its eponymous protagonist alone, injured, and in danger – deserted on a planet inhabited only by blood-thirsty killers creatures that live in the water, on the ground, and in the air. A walk in the park this will not be. But (and this is no spoiler) Riddick heals, Riddick gets bad ass, and Riddick gets a pet dog… This last part clearly a nod to the fans who wanted more of Riddick getting on with this kind of animal, if you remember the scaly felines from Crematoria in Chronicles, you’ll know what I mean.

Act two: two sets of bounty hunters arrive. One set wants his head (literally). And another wants him for something else.

Act three: Pitch Black: Redux.

There’s a quote that I’m going to lift from iO9 and it’s spot on:

There’s a standard sort of scene in these movies, which goes like: 1) Everybody underestimates Riddick. They think they’ve outsmarted or outnumbered him. 2) Riddick says something cryptic, like “don’t forget the anchovies,” and everybody laughs at him. 3) Something dramatic happens, the tables are turned, one or two mooks die. 4) Riddick says, “I told you not to forget the anchovies,” and suddenly everybody realizes that Riddick knew what was going to happen all along.

However, I’m willing to forgive it for this because Riddick is Furyan and – as far as we know – he’s the only one left. They might have this weird crazy super vision thing, or something. I don’t know.

Anyway – what of the actual film?

Well y’know what? I really liked it. I’m a fan of the Riddick films and think we need more interesting sci-fi like it. Vin Diesel is a compelling leading man (shh there at the back) and its actually a real treat to catch up with one of his more popular characters after all this time. Also, this is a very different flavoured film to those that have gone before. The opening 30mins is enough to tell you that. Twohy has taken revised his adventurous Chronicles thinking, stripped it back to Pitch Black bare bones, but has gone one step further than that and stripped its leading man back too.

A move that can only be applauded.

The supporting characters are a mix of good and forgetful. Katee Sackhoff is basically Starbuck from an alternative universe, but still manages to stand tall. And the rest are meat, with a few surprises.

Like I said, it’s very much a three act film. Act one almost gets a little too much, act two is amusing, the bounty-hunter team banter combined with the Riddick-is-just-messing-with-them to-and-fro proving to be genuinely funny in places. And when act three turns up the tension with the introduction of other, more murderous planetary inhabitants, all hell breaks loose.

I enjoyed it. If you’ve seen Pitch Black and you enjoyed Chronicles too (hell, even if you didn’t), you’ll definitely enjoy RIDDICK. I really like where they’re taking this character and, at the end of the film, you get a rough idea of where exactly that will be.

Riddick has scores to settle, but he also wants to go home.

On the strength of this latest outing, I’ll be first in line for tickets when that time comes around.

 

 

Review: About Time

Just gorgeous.

About Time

About Time is an adorable Richard Curtis film that I didn’t know or realise was a Richard Curtis film until the credits rolled.

Although I do remember thinking throughout the film, ‘Oh, that’s a bit like that Richard Curtis film’ and ‘The writing is really good and it totally reminds me of the kind of stuff that Richard Curtis does’. So yay for me, I can spot good writing. But more on that shortly…

It should be worth mentioning at this point that, if you choose to go and see this film (and by the end of this review you should be in no doubt 0n what my opinion is on that), I whole-heartedly recommend you go and see it with your partner OR your father. Seeing About Time with one of those two people will not only help you get the best out of this film, but also re-affirm the relationship with said person you decided to have sat next to you.

In short: About Time deals with love, life, and everything that goes along with both. It is beautiful and it is nice – and it is traditional Richard Curtis. Not soppy like Love Actually and not over-played like The Boat that Rocked. This is back-to-basics Curtis – and About Time is a better film because of it.

The writing is amazing. Demonstrated, in the main, by the outstandingly good banter between the two leads which leaves you with no doubt that they are very much in love and indeed, meant to be. London looks pretty darn good too and, as an extra bonus (for me at least), it’s shot in and around north and central. Which is pretty much where I live and socialise – (an extended scene in Maida Vale station, which I pass through pretty much every day, particularly made me smile).

I could wax on about great Bill Nighy is, or even make a big deal about the wonderfully simple sci-fi central conceit (watch the trailer below, you’ll see) but none of it would do it justice. About Time is a brilliantly put together romantic comedy and if you’re thinking about wanting to see something lovely at the cinema this week, then you could do a lot worse then spend time with Richard Curtis’ latest contribution.

I laughed out loud, I gasped, and I cried.

You will too.

PS. I’ve stuck the trailer at the bottom because I said I would, but it really doesn’t sell the film that well – in my opinion at least. So don’t judge it on that alone.

 

 

 

Review: Elysium

No spoilers.

Elysium

Elysium is the sophomore picture from director Neill Blomkamp, and if you’ve never seen his first film, District 9, and you’re about to go and see Elysium then I’m sure you’ll enjoy it a fair bit and you’ll have a great time. However, if you have seen District 9 and you’re about to go and see Elysium, then you might be a little bit disappointed. Not massively under-whelmed, but maybe just a little bit… oh. I mean, you might be left wanting a little bit more, that’s all.

District 9 is/was a gritty allegory on the apartheid regime in South Africa of recent history. Yes, it had aliens. But the message and story was clear; and it was a revelation. Elysium on the other hand also deals with segregation, of a sort. This time it’s the poor and lower classes that are dealt the bum hand with a lack of decent housing and – at the main crux of the film – medical care. Blomkamp shows us what could be our future. In some ways it already is (and he agrees).

Matt Damon plays Max, a blue-collar guy with an aggressive history and, after a rather grim work-place accident, a fairly short future. To get fixed, he needs to get the best medical care. The best medical care isn’t available on Earth, it can only be found on the orbiting space station for the upper classes – Elysium. Onboard, Jodie Foster rules with an iron first and she is not a fan of (amongst other things) unwanted visitors from Earth. You don’t need to be a rocket scientist to work what happens next but, nevertheless, it’s still quite fun watching how it plays out.

Sharlto Copley (star of D9, and also Howling Mad Murdoch in the A-Team film a while back) turns up, as a bad-ass sleeper agent, and really throws the cat amongst the pigeons. Creepy, dark, and murderous – Copley brings believability to what could be a one note and one dimensional bit part character.

But look, I know I started off saying that Elysium isn’t all that it’s cracked up to be, and I stand by that. On its own, Elysium is a fairly decent sci-fi flick that ticks a good few entertaining boxes while casting an interesting light over the discrepancies between the rich and the poor. The problem is: I can’t see Elysium as a film on its own. It is forever going to be in the shadow of District 9.

I mean, the opening shots, the scenery, the robotics, the cinematography – all of it, you may as well be watching District 9 again. Hell, they could even be set in the same universe – and that’s no bad thing. Except, when District 9 blew me away I hoped and hoped and hoped that Elysium would too. It didn’t.

I’m not in the habit of giving scores for films that I see but, if pressed, I’d give Elysium a 7/10. It’s not terrible. But if I had to see anything again at the weekend I’d probably pick something else.

 

 

Review: The Way Way Back

A great great film.

the-way-way-back-poster-quad

I know I went nuts about Pacific Rim a while ago, but it really has to be said: The Way Way Back (TWWB) is one of my favourite films of the year.

It really is that good.

Following the (mis)adventures of a 14yr-old boy, Duncan (played brilliantly by one Liam James), TWWB tells the story of what happens when a geeky kid, who can’t take being around his mum and soon-to-be-stepdad’s jagged relationship much longer, sets off and tries to find his own way. This isn’t fantasy, this isn’t Pan’s Labyrinth levels of youth-based escapism – this is purely about one boy’s attempt to find some respite, and what he discovers along the way.

GAH! – SO GOOD.

Cast-wise, I’ve already mentioned Liam James, TWWB also features Sam Rockwell, Steve Carell and Toni Collette. Rockwell, as ever, kills it as the irresponsible water park manager that Duncan befriends; I laughed out loud a lot at his constant one liners (which I don’t doubt were result of much improv).

Toni Collete plays worrisome/stressed/straggled mum really quite well. Not as haunted as 6th Sense, and not as on edge as About A Boy – I’d put her performance somewhere in between with a smattering of broken-heartedness. In this context, it works.

Which brings us to Steve Carell.

Toni Collette, Steve Carell

I don’t know why but, I left the cinema thinking that TWWB could possibly be one of my favourite Steve Carell performances ever. Yeah, I know. Why? Because by the end of the film I ended up hating his character, Trent. Just absolutely despising him. Brilliantly under-played, Steve Carell brings a nuanced distrust to the film that is the cause of much stress and pain for more than just one or two characters. It’s just so darn subtle that you don’t even realise how much he’s effing things up until long after the film. Great work, Steve.

Oh! I nearly forgot Allison Janney! Remember CJ from The West Wing? Yes, her. Janney turns up in, I guess you could call it an extended cameo, and pretty much steals every she appears in. AMAZING.

TWWB reminded me, at times, of The Descendants. But this time, told from the kids’ perspective. It’s a beautiful summer town, there’s major stuff going on in the adults’ lives, but this time ’round we get to see what the young ones get up to, how they react and ultimately, how they grow. God this film is good. It’s an old school coming of age movie, that warms you to your bones.

If your’re missing the sunshine a little bit (and if you can find a cinema that’s still showing it) then go and see The Way Way Back. It’s a good end of summer movie that I thoroughly enjoyed It made me laugh, it made me sad, and it made reaffirmed my faith in the human race.

I think it’s one of those films that will be a little bit of a sleeper hit. It’ll do okay at the cinema but will eventually be amazing on home release and people talk about it and recommend it at parties – ‘Oh, did you see The Way Way Back? You have  to see this film’ – then everyone will see it and then everyone will realise that it’s full of the best of everything.

Go see it.

PS. Big love and thanks to Luc Pestille: without his recommendation, I doubt I would’ve gone to see this. Thanks bud.

 

Microsoft and Nokia: No Surprises

This post was first published on Medium (and Marketing) and is reposted here with permission –

What happened?

In a move that has been on the cards since February 2013 (or 2011, depending on who you talk to) Microsoft finally stumped up the cash and bought Nokia’s device business.

ms1

This should not come as a surprise.

There is much to be said about this sale, ‘I can’t believe this has happened!’ should not be one of them.

Continue reading “Microsoft and Nokia: No Surprises”

Content comparison: @ThreeUK vs @O2, which is better?

I’m after your opinion folks, so get ready to hit that ‘Leave a Reply’ section at the bottom of this post.
_________________________________

This week I received a cake* in the post.

A cake with my face on it.

IMAG0550

— yes, that is my actual face, on a cake —

This is piece of co-marketing material from both Three and Nokia pushing the unique selling point (USP) of the Lumia 925: the awesome low-light camera. The angle?

YOU HAVE BEEN LIED TO. CARROTS DO NOT HELP YOU SEE IN THE DARK.
THE LUMIA 925 HOWEVER, DOES.

Why a cake? Well, it’s a carrot cake. Geddit…?

Anyway, the video that the leaflet directs you too is below, take a look –

OK, let’s park that right there.

Next up, we have this effort from O2. Their phone of choice is the Huawei Ascend P6. The USP? The super-slimness of the device. The angle?

MODERN DAY PHONES LOOK TERRIBLE IN YOUR POCKET.
THESE ‘VISIBLE MOBILE LINES’ OR ‘VML’ NEED TO BE NO GONE.

Check out the video below –

Strategically, the two briefs for these could be almost identical –

Drive conversation and engagement around the DEVICE NAME by creating a funny and shareable piece of social media content that will stay true to [the] OPERATOR’s existing online tone of voice, while also highlighting the USP of our hero device.

The execution is obviously very different (plus the former had the additional push of some ‘influencer engagement’ in the shape of aforementioned baked product) but, the question to you, dear reader, is – which one do you prefer and why?

Both are funny in thei rown right, both pushing the USP of a hero device, both deliver the same message but in a very different way. I’m intrigued on your take on it so please, leave a reply below and let me know.

 

 

*I also received a hand-carved carrot featuring the Nokia and 3 logo. No, really. I didn’t eat that, nor did I get a photo (EDIT: photo uploaded as requested by carrot-carving fans), however the cake was really quite nice, so thanks for that. Why was my face on it again? 

The things I saw @FlowFestival 2013

Quite simply: the best weekend I’ve ever spent in Finland.

FLOW FESTIVAL IS FUN!

After the intense theatre-going antics of the Edinburgh Fringe, I hopped on a plane in Glasgow and flew my tired behind over to Finland for what is their biggest and best music festival, Flow.

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For the past six years, behind this former power plant in deepest darkest Helsinki, the people of Finland have laid host to musicians many, and fearless festival fashionistas too.
But we’ll come back to that one shortly…

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Arriving on the Thursday meant that I’d missed the opening party on the Wednesday (featuring The Knife) however, not to be perturbed, I embraced Friday’s antics like there was no tomorrow.

In fact, instead of just reeling off what I saw on each day – I’m going to list the, quite frankly, AMAZING bands/singers/acts that I managed to see over the course of the three nights I was there. Before I start talking about just how awesome the festival is, you need to understand the breadth of musical talent available to you, via FLOW. Ready?

Friday

  • Kendrick Lamar – ‘Good, but not as good as I hoped it’d be’.
  • Cat Power – ‘Really bloody good’.
  • Alicia Keys -  Ahhh Alicia! I actually met Alicia Keys back in 2001, when she was doing the circuit promoting Songs in A Minor (I’ve got the copy that she signed for me knocking around the flat somewhere) and I really wanted to see her again. She was… AMAZING (of course).
  • Moderat, never heard of them, turns out they’re amazing. We danced. HARD.

It was an amazing day.

And it ended with a random house party somewhere in south Helsinki at a converted loft apartment with our host serving champagne and salmon until the early hours. No, really.

I bloody love the Finnish.

Sidenote: Look up Huotron

Saturday

  • Lieminen. A Finnish sensation which basically culminated with every Finnish person I knew leaping around shouting – ‘Party time! Excellent!’ – like this, but with a stronger beat.
  • Tim Sweeney, with his Beats in Space radio show – SO good.
  • Space Dimension Controller (MENTAL). With trippy inter-galactic chill out tunes and voice-overs such as ‘Flying through space and meeting a robotic prostitute that wasn’t mentioned in the tour guide’, SDC was certainly a festival highlight.
    Sidenote: The RBMA Backyard, where I heard the last two acts mentioned, was my discovery of the day on Saturday. With myriad electro-beats from Tim Sweeney and then into the mind-bending acid-tripping storytelling from the Space Dimension Controller, it all got pretty weird, pretty quickly. Great vibe though)
  • Cody Chestnut. Everyone had a really good dance to this stuff. A really good dance.
  • My Bloody Valentine. The signs said ‘WEAR EARPLUGS’. The Englishman said ‘Don’t be so daft! You Finns worry too much!’ My friends said ‘JAMES. WEAR EARPLUGS’. I said… ‘AAAAAAAAARGH MY EARS!!’
  • Circuit Des Yeux. This was our attempt to see something random at the The Other Sound stage. It was pretty random, definitely. Imagine soft folk music, with a dash of whale song. Now strangle that whale and beat it against the kitchen table. Yeah, that’s what it sounded like. Still, they had bean bags. Which was nice. After three songs we got up and left, took a stroll past Nick Cave and wandered off for…
  • Mount Kimbie. Another recommendation from my host, Robin. I don’t know how we ended up in the tent where they were playing, but they turned out to be bloody EPIC. And the perfect way to end the Saturday night. Must look them up some more when I hit home turf. Similarly to Moderat, a really good dance discovery.

Ended back at Siltunen for dancing til 4am.
Blagged my way in.
Danced like a maniac.
Job done.

Bonus from Saturday? Regular readers will know that I’m currently reviewing a neat little gadget called the Autographer. On the Saturday I decided to clip it to my friend Ville just to see what happened. Not only did Ville (with the Autographer) end up taking nearly 1800 photos(!), but he also threw them all together into one awesome little 3min video. Check it –

How awesome is that? Scratch one up for ‘useful applications of wearable tech’, right there.

Sunday

  • Public Enemy. It’s a bold man that dedicates a set to both trayvon Martin AND Michael Jackson but that’s what Flavor Flav did. Legend. That plus Mixes, raps and crowd runs. Full on, rubbish and yet brilliantly bonkers all at the same time. Towards the end of Public Enemy I was encouraged to leave a bit early and head to…
  • HAIM. So I did. My reward? A damn good spot for what was probably my performance of the entire festival. Even though the lead singer had a throat infection (and yet refused to cancel – like oh so many others) the set was re-organised, tracks rearranged, and everyone had an epic time. Seriously, I loved them –

After that we wandered back to find our friends and watch some…

  • Of Monsters And Men – Hey! – that’s all I need to say really.
    (…then we skipped Disclosure for…)
  • Bat for Lashes! YES! MAD as a March hare but oh so amazing with it. I really enjoyed this, as did my guests and friends. I think BfL was one of the few ‘full’ performances that I caught all festival. And I was glad for it. After that, we donned our glasses and sought out ourselves some…
  • Kraftwerk………
    AUTOBAHN in 3D, bitches. IMMENSE.

3D ARMY

Much laughter ensued. Post-dicking-about here, we went off to catch the..

  • Opening tracks from Goat (mental) seriously, WTF-levels of AWESOME. And then, last but not least —
  • Grimes, who must’ve been hammered. She couldn’t get her sound right and then had these random dancers.. it was just, strange. Give me a repeat of HAIM any day.

And that, was that. Well, I say that, I mean – that was all the MUSIC that we saw. IN THREE DAYS. Amazing. I know I’ve used that word a lot over the past several hundred words or so but seriously, Flow Festival was amazing. My original plan was to just list the music and then talk about how much of an awesome time I had. However, I think I’ve managed to kill two birds with one stone with the above descriptions…

However! One thing I do know though is —

Next time anyone asks me, ‘What is FLOW?’ I will answer:

  • Flow is the best festival I have ever been to overseas.
  • Flow is the most fun I have ever had in Finland.
  • Flow is the best place to find the widest selection of popular, random, esoteric, and world music.
  • Flow is home to some of the best-dressed festival-goers in the entire world.
  • Flow is where I’m going to be this time next year.

I’m serious: if you’ve never been to Finland before, go for Flow Festival.

You’ll have the best time ever.

——

PS. Early bird tickets for 2014 are on sale NOW.
PPS. Want to see more? Check out my Flow Festival Flickr album!

 

 

 

83% of Facebook’s UK Daily Users are on Mobile

How many?

Facebook MAU DAU

Source: TechCrunch

According to the above chart, posted yesterday on TechCrunch, Facebook’s Daily Active Users (DAU) for mobile make up a staggering 83% of all active users.

First off, that’s a MASSIVE NUMBER.

Second, we need to dig a little deeper. As Josh Constine states ‘To be clear, total stats count each individual user as 1 regardless of whether they accessed from desktop, mobile, or both. Mobile stats count each user who accessed via mobile, whether or not they also accessed via desktop.’

What this means is that while they’re not exclusively accessing Facebook via mobile*, 83% of overall DAU do at some point access via mobile. That is still a huge number.

What does this mean?

  1. Surprise surprise, UK users access Facebook from their mobile phones
  2. If you’re a brand using Facebook to speak to your users (y’know, through building apps and stuff) you better be thinking MOBILE FIRST – but again, this is not news
  3. A genuinely surprising amount of new openness from Facebook means that we should be seeing more data like this in the future.

Hurrah and hurrah again.

I’m also left wondering, why on Earth wasn’t this picked up by more trades?

Whatley out.

 

PS. Reading this on your mobile? Best check Facebook…

PPS. Contrary to popular opinion, this isn’t ‘the first time’ Facebook have admitted this algorithm exists. They did that back in 2010. 

*To get the exclusive number, you’d need Facebook to release a deep dive on this image. But they haven’t done that yet. So we wait.