Toga! Toga! Toga!

Moleskine Entry: April 17th, 2011

Today is Sunday. Last night we threw a fancy dress part and everyone got involved (well, everyone we knew anyway).

— Indian Ben | Toga James —

This was, as you can imagine, quite amusing for the Mongolian smugglers traders on board.

Around midnight Moscow time [4am Mongolian time] we were joined by a couple who had tickets stay in in the Tsar’s Retreat. That’s right, I now no longer have my room to myself. Boo.

The good news is, the couple seem quite cool. One Brit and his American wife. One night of sharing the cabin left ahead and then we reach Mongolia. Well, that’s not strictly true.

We’ll be arriving at Ulanbataar at some point tomorrow. We actually cross the border into Mongolia in a couple of hours. [Hilarious] Russian ticket inspectors are aboard now: two women, late 40s, wearing knee high leather boots, full make-up, bright pink liptstick and a light blue, figure-hugging uniform reminiscent of the flight attendants from the 70s. Possibly the best thing I’ve seen on the whole trip to date.

You wouldn’t believe it. I’d snap a photo if I could but I daren’t. I fear I would be taken outside and shot or worse, taken back and used as a Russian sex slave forced to do their every deed at the crack of a singular, jet-black whip.

I’m clearly still quite drunk.

And still, we’re on a train.

Introdiction

I spotted this just over a week ago and have had it open in my browser since with the full intention of blogging it when I got the chance. That’ll be today then.

This is the new (and fairly sweary – you have been warned) single from Scroobius Pip, Introdiction.
I love Pip’s work, have done for ages – and this is a great, great track.

Oh yeah, and the price of the video production? £100.

Enjoy.

1000heads: A quiet time

As a global word of mouth creative agency we have offices all over the world, aiding and assisting clients everywhere. Our roots, believe it or not, are in rural Oxford but for the past two years, our global headquarters (and natural home) has been right here in London.

We work here, we live here, we play here.

Tonight we’re closing the office at (an unheard of) 5:30pm to send our teams home to their respective homes to be safe. Some will be joining the clear up efforts; spear-headed by the spontaneous camaraderie forming around the #riotcleanup hashtag (and website), others will be headed out of town to join loved-ones in safer areas away from the potential flashpoints.

Word of mouth is our thing and, over the past 72hrs, we’ve seen what an amazing platform that can be. Both negatively and positively.

We’re not going to pour data through meaningless charts, nor extol the virtues of product ‘a’ or campaign ‘b’, we’re just going to crack on with our work, both within the office and without.

Be careful out there, friends. London – and the rest of the UK – will pull through this.

IAB: Rules Rules Rules

This post first appeared on the blog of the IAB on August 8th, 2011 —

18th January 2011. That was the date of the this year’s first meeting of the IAB Social Media Council (SMC). Back then all the talk was about the impending ASA remit extension that would very very soon cover not only companies’ marketing claims on their own websites, but also in other non-paid for space they control – aka, ‘earned media’.

As an industry trade body the SMC assembled and collectively pondered on what would be considered best practice for adhering to these standards. I don’t think it was at that meeting that any kind of course of action was agreed, however, I do believe a large amount of the assembled members agreed that, like our US counterparts, ‘#ad‘ would probably work best.

Fast forward six months and with the remit fully in place, has anything changed? Not really. Has there been a seismic shift in the behaviour of online advertisers? Probably not.

Admittedly we haven’t seen any major cases reported to the ASA quite yet, but isn’t that thanks to a certain level of understanding and intelligence of your average internet user? If we move away from the online world for a second and instead think about the combined worlds of brand, celebrity and sport personality – how do these kind of standards play out there? Case in point: Tiger Woods and Nike.

When we see Mr Woods teeing up at the PGA Tour do we question that the Nike cap he chooses to wear is there for any other reason than advertising? No. Of course not. It’s an expectation. Something that we, as the viewing public, have grown to accept within this particular industry. It’s a given that this happens. However, it’s also assumed that – given his high profile nature – that this sponsorship must have happened. Why else would he be wearing the logo? And of course, there is no doubt that Nike put out a press release when this sponsorship was made – but how long ago was that? Shouldn’t he be adding the the word ‘ad’ onto that hat? No, of course not. That’d be silly.

But if he tweets something about Nike, will be have to append it with ‘ad’ ?

It doesn’t make sense.

Yes of course I agree that we should ultimately make it explicit that a piece of content created in the name of advertising is in fact an ad, but why not have something on our website/homepage/bio that states this is the case? Better yet, exactly how are paid endorsements going to be handled moving forward? Social media are fundamentally different, but a sponsorship deal is a sponsorship deal. Be it product placement in movies (and games), Nike on Tiger Woods…. or bloggers being sponsored by a brand  to write about products, it’s the same rules – right?

So HOW can we expect to retrofit one solution across them all? We can’t.

Everything that’s been written about social media has defined how different they are from the rest of the media types that have come before it. Here we are at the turn of a new decade (yes we are) and now suddenly the ‘free world’ of the internet is being regulated like it’s a piece of out of home.

New rules are required. Ones that are built on customer smarts, not crafted out of the remnants of out of date thinking.

So now what?

 

1000heads: Dear Blink-182. You Win.

Each morning I spend around 15mins of my day looking through my Google Reader for some decent content that I can share across the fairly interesting 1000heads Twitter feed.

Sometimes though, I come across such a fantastic idea, such a perfect execution that it warrants a whole blog post on its own.

Today is one of those days.

We’ve spoken before about what it means to reward engagement, surprise your fans and ultimately, let your community know you love them back but today’s effort, from American pop punk band (wikipedia’s definition, not mine), Blink-182, really takes the biscuit.

This video, explains it all –

Five reasons why this is awesome:

  1. Blink 182, unlike many, many other bands/artists, have decided to EMBRACE the ‘mis-use’ of their music and, instead of hitting ‘go’ on their lawyers, have recognised that if someone has used their music it probably means that they are a fan.
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  2. The sheer dedication and commitment to using not just the famous ones. Being a fan is not defined by how many views you’ve had or how many likes your video has garnered. It’s about being passionate and actually giving a damn. You like Blink 182’s music? They give a damn about you.
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  3. In the same way that the YouTubers featured in this video have ‘stolen’ Blink 182’s music, Blink have done exactly the same back by ‘stealing’ footage from their videos. The difference being the users in question won’t be hammering on the door with their lawyers.
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  4. The title: “The Blink-182 Film Festival You Didn’t Know You Entered” – perfect.
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  5. This is Blink 182’s first single release in eight years and they have a huge global fan-base. No matter what they did for their new single, they would’ve got huge coverage – the fact that they chose this particular idea for their return launch speaks volumes about how much they care about their community. To put it bluntly; that is epic.

So OK the video is part of a (somewhat strange) over-arching sponsorship deal with American mobile phone operator AT&T but still, it is a great idea.

And for that Blink-182, we applaud you. You win.