THINGS (FtoF #219)

1. AMAZON’S BRICKS & MORTAR STORE

You may have read about this already. And by ‘this’ I don’t mean the PR stunt that was the Amazon Go ‘launch’ last year – I mean this: Amazon’s new Book Store in New York.

While a predominantly online entity switching to offline is an interesting thing on its own, what I find really interesting in this instance is how Amazon is managing the sections of said book shop.

Paul Shapiro went and had a look:

Hurrah for data-driven sales techniques!

It’s worth clicking on the link to Paul’s original Tweet above (or just click on the image and it’ll open) as he’s threaded a bit more commentary + photos for your reading pleasure.

Enjoy.

2. THE MELANCHOLY OF DON BLUTH

From American Tail to The Land Before Time, if you grew up in the 80s then you’ll know the work of Don Bluth. If you grew up in the 90s, the Disney movies you saw were heavily influenced by Don Bluth.

This piece, entitled as above, is a gorgeous and in-depth look at Bluth’s phenomenal work. It is very hard to lift quotes without spoilers to the movies mentioned so I won’t just in case any of you SICK PEOPLE haven’t seen The Land That Time Forgot, for example.

3. MARTIN SCORSESE 

As intros go, this ain’t bad:

“Have a conversation with anyone, anywhere in the world about the greatest living filmmakers, and if the name “Martin Scorsese” isn’t one of the first two or three mentioned, leave that conversation immediately and never speak to that person again. Because Scorsese’s greatness isn’t up for debate, it just isn’t. For nearly a half-century now he has built film upon film into a diverse and heralded oeuvre that includes crime films (Mean Streets, Goodfellas, Casino, The Departed), intense character studies (Alice Doesn’t Live Here Anymore, Taxi Driver, The Aviator), religious epics (The Last Temptation of Christ, Kundun, Silence), documentaries (The Last Waltz, Public Speaking, A Letter to Elia), and rollicking tributes to art and artists (New York New York, Life Lessons, Hugo). There is no doubt that no matter who comes after him, Martin Scorsese will always remain not only one of the greatest filmmakers ever, but also one of the most important. If you think we get Quentin Tarantino, Paul Thomas Anderson, John Woo, Jim Jarmusch, the Coen Brothers, or even Wes Anderson without the influence of Scorsese, you’re wrong. As a director, a writer, a lover and conservationist of film and film history, Scorsese has had an impact on pretty much every significant filmmaker who’s come after him, and that might sound like over-enthusiastic, hyperbolic mythmaking, but you know I’m right. He’s Martin Fucking Scorsese.”

This is another link to Film School Rejects but this time it’s the mother lode of video essays on Scorsese.

4. ARTIFICIAL EMOTIONAL INTELLIGENCE

Leigh Alexander is always such a good read and this week, via How We Get To Next, Alexander tackles the idea of AI taking on the emotional workforce.

There aren’t many writers that can get from Teddy Ruxpin to dismantling the patriarchy but in her search for emotional intelligence from our robotic friends, Alexander manages just that – and more.

Good reading.

5. THE CALM PHOTOGRAPHY MOVEMENT

Suicide is the single biggest killer of men under the age of 45 in the UK. Charity the Campaign Against Living Miserably (CALM) was set up to address some of the underlying causes behind this shocking statistic, particularly the fact that men are far less likely to seek help with depression than women.

In order to prompt discussion around masculinity and mental health, as well as raise awareness and funds for CALM, Scott Shillum and Steve Wallington, both of whom have lost family and friends to suicide, have founded the Calm Photography Movement.

Amateur and professional photographers are invited to submit images which shine a light on the limitations of traditional masculinity for a chance to be featured in the Calm Photography Movement exhibition at the Getty Images Gallery in central London, to coincide with Mental Health Awareness Week in May. The submissions will be judged by a professional panel. Selected photographs will feature in the show (which runs from May 10 to 19), be used in print and social campaigns as well as be curated into a catalogue available for purchase in support of CALM.

You can find out more / get involved yourself via the official website.

BONUSES THIS WEEK ARE AS FOLLOWS: 

Aaaaand I’m spent.

Until next time,

Whatley out, x

 

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